Listen to a rehearsal whilst you read.
Add to that a wombat and 160 ukulele players and it was a crazily good weekend. I've written about Victoria's folk music camps before but this was a new high.
Rosewood is September-tucked in a valley of the Strathbogie Ranges (Central Victoria) at Charnwood Bush Camp (an old private school camp with various camp-type things – a zip line, canoes, wildflowers, kangaroos and a tame wombat).
Our first programmed session was 'intermediate ukulele'. That was crowded out in a small tent with 60 people. We complained to each other that the committee had programmed our venue in error. The small tent couldn't contain the 60 intermediates, and we were pretty sure that putting us in the large marquee for a beginners session was surely overkill. We couldn't get more than 60.
|Beginners class, including tanbark covering some vomit.|
What we know we do well is to get beginners and intermediates to a level where they can mutually support each other in an engaging and uplifting performance. We clearly achieved that, after a total of only two sessions each. We came together in a full-throated, harmonised uke-riff driven, strum-supported inclusive singalong.
But it is the first time ever that we have included a wombat in our performance. We highly recommend it, although they are rather short.
Every Band Needs a WombatThe wombat had been hanging around camp all weekend. Chasing children (really just trying to attach to a new mother) and seeking food. At the evening concert it thought it would like to be one of the 300+ people crammed into the marquee for Sunday night's climax. Weaving between chairs, tripping people up, and occasionally making unauthorised crossings of the stage.
In the corner of the marquee a space had been allocated as a crashpad for small children to snuggle up in the cold in their sleeping bags. At one stage a parent was seen hauling said wombat out to an appropriate bush or dugout, but it just came rushing back into the warmth and fervour. Understandably what sane wombat wouldn't prefer sharing a toasty sleeping bag with a small child on a cold spring evening.
It came our turn to perform two songs, with 160 ish people. We told most of them to stay in the audience, and just to perform from there, but we got a few key players, riffers, singers and children (who wanted their turn in the sun) up on stage. It was mayhem, crowded, and glorious.
Our performance ended and we milled our way off stage, except for one teenager who remained reluctant to get up from his position next to a foldback speaker. The wombat had crawled into his lap and fallen asleep, an ukulele perched in front, strumming or riffing for the performance, surrounded by a wall of (apparently comforting) sound.
Comes a time when we have to leave our mumma
|Difficult to pack with a wombat|
Are you my new Dad/Mum/Foodsource? The wombat galloped up with me to our bunkhouse, like a good dog at heel, into the cabin and the delighted arms of Jane, other adults and children.
This never happened at Lark. But this is Australia, not the USA. Wombats, not human-maiming bears.
What a great weekend.