Facebook is a funny non-place to be.
5am at home is a good place to be. Writing and reflecting on our old
front verandah, waiting for the guy swinging his budgie smugglers as he walks
up the street to the beach, hearing my first koel of the season in
the distance, avoiding the avalanche of emails that will drag me
screaming back into the 'real world' that is my own doing.
For now I'm just going to
reduce the screen brightness, type, and watch the street and its dawn.
I will go back to bed, in an hour or two,
when I get a cup of tea for my love. We do not have to rush off anywhere, even though Tuesdays are a traditionally 'big'
day. The life of the community musician, afternoons / evenings / and
a desktop computer with so many tasks awaiting. That's why I avoid
the big computer and use this small one in my lap. Not such easy
access to the net, more time to sit with my brain.
The productive, creative and relaxed drive to Forbes
We had a huge weekend, a rather long
one. It felt like one of our four week sojourns to the US, travelling
and meeting strangers who become fellow travellers, being encased in a dream world for a couple of
days, then re-emerging from our temporary cocoon to engage with the
daily stresses.
We stop at Beela Rd to honour Jane's dearly departed cat. |
Aforementioned curtains |
We played a little music outside the family estate. |
The Newell
Beckom Public School kids did a geography 'B' project. |
Thom, Dick and Harry's - West Wyalong. Coffee mug purchase |
A wee stop and a brief enjoyment of the new Corowa Civic Centre overhanging the Murray floodlands, and then we drive into Victoria, into a deep wooded valley of the Strathbogies and enter the zone. No Facebook. No internet. Just music and damn fine people.
Roses Gap
Roses Gap Music Camp is a
scion of Turramurra Folk Music Camp – the child that left home and
became even bigger than the original. For a while there it seemed
like Roses Gap was going to be made homeless by the bushfires that
damaged the Grampians nestled Roses Gap
centre that gave it its name.
But this musical community and committee is strong and vibrant and the geographical dislocation proves a mere hiccough, and the whole camp is able to vault across the state to the Strathbogies. This new home at Charnwood seems more than appropriate to our needs, with the main challenge being what to call it? Rosewood seems to be the interim name of choice.
And there obviously was a need for a bigger venue than the Charnwood dining hall can provide. A Port Fairy worthy marquee dominates the valley floor, betraying this little festival's potential aspirations to be like its large Folk Festival cousins. But it never will be, and never wants to be. 3-400 people is just right.
But this musical community and committee is strong and vibrant and the geographical dislocation proves a mere hiccough, and the whole camp is able to vault across the state to the Strathbogies. This new home at Charnwood seems more than appropriate to our needs, with the main challenge being what to call it? Rosewood seems to be the interim name of choice.
And there obviously was a need for a bigger venue than the Charnwood dining hall can provide. A Port Fairy worthy marquee dominates the valley floor, betraying this little festival's potential aspirations to be like its large Folk Festival cousins. But it never will be, and never wants to be. 3-400 people is just right.
I've written at length about Turramurra Folk Music Camp – the
original one that gave rise to this spillover. This feels much the same, though with many different
people. Perhaps there are more families here? More kids? Though maybe
not.
The lawn next to the Marquee |
Workshops all day Saturday and Sunday. The program is a relatively
small one … it's easier to refer you to the website and copy and
paste the dot points.
- Art with Julian Chappel
- Contra Dance with Maggie Duncan
- Ensemble with Lyndal Chambers & Brian Strating
- Federation Bells with Ariel Valent
- Beginners and Intermediate Fiddle with Hugh Gordon
- Beginners and Intermediate Guitar with Jem Dunlop
- Singing with Jane Thompson
- Keyboard with Janet Gordon
- Hula Hoop Dance for everyone with Donna Sparx
- Beginners and Intermediate Tin Whistle with Pat Lyons
- Beginners and Intermediate Ukulele with Mark Jackson and Jane Jelbart
- Wildflower Walks with Elvyne Hogan
- Morning Yoga with Wendy Ashton
- Youth Band with Matt Sheers
Lanterns at night with iPhone = poor photo |
Saturday night is
always the dance, and Sunday night is the concert featuring the
products of all the workshops. Sunday night begins with a rather
ritualistic parade replete with a 50 ish piece marching band, lanterns, Federation Bells and solemn moments.
For me, the Sunday night concert is renowned for three distinct things. One is its length, where parents of small children must keep them awake or submit to their tiredness. Some kids inevitably miss out. Sometimes I miss out and head to bed at an unreasonably early hour like 11:30pm.
For me, the Sunday night concert is renowned for three distinct things. One is its length, where parents of small children must keep them awake or submit to their tiredness. Some kids inevitably miss out. Sometimes I miss out and head to bed at an unreasonably early hour like 11:30pm.
The whistle workshop invades the stage. |
The third is the
wonderful youthful performance surprises that turn up constantly Most of it is captivating and sheer delight. In another world this might be called a family camp, or a youth music camp. But in this world there is no distinction made between what has gone before and what is forthcoming. The old and the new, the generational pull and progression, all of it naturally slides into the other. Music is for all generations; feeds, creates and reflects each generation; everyone finds their space and does their thing, together and apart, and always, it seems, with a respect for the other - one for its mentoring and musical wisdom, the other for its apparent dedication for musical excellence and for their sense of responsibility that they are the ones travelling the tradition forward.
We wrangle and
wrangle and manage to wangle and mangle four performance songs for
our 120+ ukulele students. What amazes me is everyone's immense musical
literacy. Even the beginners are swiftly taught. Where we
would teach a beginners workshop to 10-15 people over two hours, here
we only have an hour to teach 60-70 people. We achieved what we
normally achieve in about 40 minutes. But I write about that more in the next blog.
Virtuosic classical guitar munchkins. Sunday night. |
There are myriad
stories to tell, and so many people showcase wonderful stuff. But you
can't just write about it. You have to immerse yourself and be there.
And then you leave. As always, its a wrench.
And then you leave. As always, its a wrench.
The freeways of our lives
We wend our way on
the dirt out of this rich musical, social and bushland ecosystem. After a few kilometres we join the freeway. We call this civilisation, the freeways that
circumscribe our 'normal' lives.
And we do the most stupid thing in Albury - we go to a shopping centre. It is indescribably awful. Culturally demoralising. Reality.
And we do the most stupid thing in Albury - we go to a shopping centre. It is indescribably awful. Culturally demoralising. Reality.
The 10 hour drive
back home is like a zombie journey, fraught with
bickering and whinging. No creativity, no productivity, no
conversations. Not a skerrick of Facebook is indulged, even though
for two and a half days I have been deprived. It is the legacy of a
general lack of sleep. Or is it the shock of reality?
Maybe it is grief?
We fall asleep.
And
awake back home.
5am is a good place to be.
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